A plain running log of new tools and practical changes at SolAudioLab.
Notes are newest first. Older entries load as you scroll.
Choosing 1, 2, 4, or 8 bars now creates a sequence with that exact number of bars. The fix keeps the desktop and mobile structure controls synchronized without changing saved patterns, drum sounds, or playback.
Signed-in users can save named tone or sweep settings with equipment, speaker, room, and problem-frequency notes. Existing browser frequencies stay local unless the user reviews an account import, and private frequencies can be copied to another browser without starting playback.
Signed-in users can save the place, speaker system, five-part listening checklist, wiring or polarity notes, problem frequencies, check date, and recheck date. The existing browser-generated test signals still work without an account, and results remain the user’s listening judgment rather than an automatic microphone measurement.
Signed-in users can save a complete room project, reopen it on another desktop or notebook computer, rename or copy it, and delete it when finished. Existing browser projects and <span class="notranslate" translate="no">.acplan</span> file backups remain available, and Virtual Listening audio is never uploaded.
Signed-in users can keep ownership of shared reports, rename or delete them without a separate management link, save original and adjusted analysis records separately, and reuse output settings on another device. Audio files and local file names are never stored in the account.
The phone view keeps song-key selection and the selected capo result together, while all positions, saved songs and guidance open in dedicated panels. Signed-in users can keep song titles, capo choices, setlists and notes across devices.
The phone view separates testing, sources, saved setups and guidance without page scrolling. Signed-in users can keep safe start levels, output choices, source order and notes across devices; local audio files and filenames are never uploaded.
The phone view separates measurement, results, saved checks and guidance in a page-scroll-free workspace. Signed-in users can keep room names, positions, devices, change notes, analysis values and reduced graphs across devices; microphone audio is never uploaded.
The phone view keeps setup, A/B listening, saved lists and comparison details in a page-scroll-free workspace. Signed-in users can keep headphones, favorite targets, Quick Compare, strength and model notes across devices; local audio is never uploaded.
The circular pitch display stays central while instrument, tuning, reference and save controls fit into a page-scroll-free phone layout. Signed-in users can keep private tuner setups; microphone audio never leaves the device.
The circular beat display remains central while tempo, transport, practice, setlist and save controls fit into a page-scroll-free phone layout. Signed-in users can also keep private cloud setlists and completed timer sessions; browser setlists and TXT backups still work without an account.
The pattern grid, playback and core editing controls now fit in one phone workspace without page scrolling. Signed-in users can also keep private cloud rhythms with their practice settings, while browser saves, text backups and share links remain available without an account.
Signed-in users can save patterns, reopen them on another device, rename or duplicate them, and delete them when finished. Browser saves, text backups, and share links still work without an account, and no audio is uploaded.
Signed-in users can save completed sessions, compare recent scores, and see which frequency band needs more practice. Only the result data is stored—no training audio is uploaded—and the full trainer still works without an account.
The <span class="notranslate" translate="no">Adjust & Save Audio</span> workspace now creates <span class="notranslate" translate="no">24-bit WAV</span>, <span class="notranslate" translate="no">16-bit WAV</span>, lossless <span class="notranslate" translate="no">FLAC</span>, <span class="notranslate" translate="no">MP3 320 kbps</span>, or <span class="notranslate" translate="no">MP3 192 kbps</span>. The original audio stays on the user's device throughout processing and file creation.
The <span class="notranslate" translate="no">Adjust & Save WAV</span> workspace now includes an optional <span class="notranslate" translate="no">L/R CENTER CORRECTION</span> setting. It measures the average balance across the full stereo file and redistributes the left and right levels without reducing their combined energy before creating the new <span class="notranslate" translate="no">WAV</span>.
Desktop users can now choose standard playback goals, a loud master at <span class="notranslate" translate="no">-10 LUFS</span>, or an extreme master at <span class="notranslate" translate="no">-7 LUFS</span>. The <span class="notranslate" translate="no">PRESERVE</span>, <span class="notranslate" translate="no">BALANCED</span>, and <span class="notranslate" translate="no">GOAL PRIORITY</span> approaches provide clearly different amounts of level control.
Download Windows VST3, macOS VST3, or Logic AU Beta 0.5. The Mac builds support Apple Silicon and Intel Macs and are signed with a Developer ID certificate and notarized by Apple.
Virtual Headphones added a dedicated plug-in path and improved browser comparison flow. Favorites, recent models, Quick Compare, notes, and last-used settings make target checks faster.
Acoustic Planner moved from public beta to stable. This update period also added reverberation estimates, level and decay result views, furniture-aware first reflections, Virtual Listening refinements, and desktop project-file opening.
Choose the headphones you own, load a familiar audio file, and compare the measured tonal balance of 2,898 headphones and earphones. The audio file stays in your browser.
Build a room or venue in 2D and 3D. Add materials, furniture, acoustic treatment, speakers, and listening positions, then review practical acoustic estimates before changing the real space.
The Home page now introduces the site through system checks, ear training, and audio analysis. Three signature tools appear before the full directory, while the full directory remains easy to open.
Visitors can now leave a public comment without creating an account. Written comments from tool Feedback can also appear here, and SolAudioLab can reply directly below each comment.
Audio Analyzer now explains that the score shows the technical condition of the audio file, not the artistic quality of the song. The waveform view also includes a small peak overlay toggle so dense peak markers can be hidden when they cover the waveform.
Feedback Trainer now includes Free Practice, automatic next-round advance, and refined cut judgment. Listen Mode remains available for hearing each frequency band before training.
Audio Analyzer now gives clearer Friendly Suggestions for files that need remastering decisions. It can suggest when to avoid more compression, when to repair peak problems first, and when to check stereo balance before final limiting.
Audio Analyzer now separates integrated loudness, sample peak, estimated true peak, and peak-event patterns. It treats isolated lossy-codec peak overs differently from likely hard clipping.
Tone Generator now keeps precise frequency control close to the main controls. Saved frequencies and an auto stop timer were added below the main panel, while longer usage guidance stays in the lower page section.
The main tool area now uses compact list rows. The separate Quick Finder panel was removed. New tool badges now use a warmer orange accent.